Pages that link to "Item:Q52"

The following pages link to conference paper (Q52):

Displayed 50 items.

• Translating Digital Literature. The Example of “I’m simply saying” (Q2077) ‎ (← links)
• Biopoetry (Q2078) ‎ (← links)
• The ELMCIP Knowledge Base and the Formation of an International Field of Literary Scholarship and Practice (Q2080) ‎ (← links)
• The Experience of the Unique in Reading Digital Literature (Q2081) ‎ (← links)
• Text as Virtual Reality (Techno-Aesthetics and Web-Literatures) (Q2082) ‎ (← links)
• Hypertext Fiction in the Twilight Zone (Q2083) ‎ (← links)
• Patterns of Hypertext (Q2092) ‎ (← links)
• Choice vs. Interaction: the Case of Online Caroline (Q2098) ‎ (← links)
• Semantisation, Exploration, Self-reflection and Absorption: Our Modes of Reading Hypertext Fiction (Q2099) ‎ (← links)
• Toward an Ontology of the Field of Digital Poetry (Q2100) ‎ (← links)
• The Aesthetics of Materiality in Electronic Literature (Q2101) ‎ (← links)
• E-poetry: the Palpable Side of Signs (Q2102) ‎ (← links)
• Electronic Literature Without a Map (Q2103) ‎ (← links)
• Junction of Image, Text, and Sound in Net.fictions (Q2104) ‎ (← links)
• Bridging Intertextuality and Intermediality from a Cultural and Literary Perspective (Q2105) ‎ (← links)
• Polish Way to E-Literature from Baroque to 21st Century (Q2106) ‎ (← links)
• New Media Literary: Hypertextual, Cybertextual, and Networked (Q2107) ‎ (← links)
• Hypertext and bigos: On esthetic categories of modern and post-modern Polish fiction that may help us describe electronic literature in yet another way (Q2108) ‎ (← links)
• Teaching Digital Literature within a “Research and Teaching Partnership” in a Transatlantic Blended Learning Environment (Q2109) ‎ (← links)
• Some stylistic devices on media interface (Q2110) ‎ (← links)
• Intertextuality in Digital Poetry (Q2111) ‎ (← links)
• Kissing the Steak: The Poetry of Text Generators (Q2121) ‎ (← links)
• The Role of the Reader in Performative Digital Poetry (Q2126) ‎ (← links)
• Endless Text: New Media Technologies in The Raw Shark Texts (Q2127) ‎ (← links)
• Digital Orientalism: Japan and Electronic Literature (Q2132) ‎ (← links)
• Senghor on the Rocks: A Georeferenced Electronic Novel (Q2137) ‎ (← links)
• Between Place and Interface: Designing Situated Sound for the iPhone (Q2173) ‎ (← links)
• Personal Narratives, Corporate Templates (Q2174) ‎ (← links)
• What's on your mind? Status Updates, Friend Suggestions And Data Mining (Q2176) ‎ (← links)
• All Tomorrow's Parties (Q2178) ‎ (← links)
• E-Poetry Triangulated (Q2187) ‎ (← links)
• Against Digital Poetics (Q2188) ‎ (← links)
• Scripting Writing and Reading in Jim Andrews's Digital Poems (Q2192) ‎ (← links)
• Aesthetic Autonomy and Sensuous Appearing: Two Questions in the Aesthetics of Digital Poetry (Q2194) ‎ (← links)
• Rencontre: An Experimental Tool for Digital Literature (Q2195) ‎ (← links)
• From Lexias to Remediation: Theories of Hypertext Authorship in the 1990s (Q2204) ‎ (← links)
• Scholarly Publishing of Hypertext, the Case of "The Victorian Web" (Q2216) ‎ (← links)
• The ppg256 Series of Minimal Poetry Generators (Q2238) ‎ (← links)
• Polyaesthetics in Digital Literary Arts: Steve Tomasula's TOC and Multimedia Fiction (Q2243) ‎ (← links)
• The Tradition of E-Lit Publishing in France (Q2250) ‎ (← links)
• "Uncle Roger", an Online Narrabase (Q2252) ‎ (← links)
• Electronic Literature Publishing and Distribution in Europe (Q2253) ‎ (← links)
• The Vinaròs Prize for Electronic Literature (Q2254) ‎ (← links)
• Editing the Electronic Literature Collection, Volume Two (Q2255) ‎ (← links)
• Netzliteratur.net and Edition Cyberfiction (Q2256) ‎ (← links)
• Nokturno.org (Q2257) ‎ (← links)
• Introducing Literature Across Frontiers (Q2258) ‎ (← links)
• Responsive Environments (Q2286) ‎ (← links)
• Tag Clouds: Reading the Poetic Interface (Q2318) ‎ (← links)
• Toward a Semantic Literary Web: Three Case Histories (Q2319) ‎ (← links)