Pages that link to "Item:Q52"

The following pages link to conference paper (Q52):

Displayed 50 items.

• Piecing Together and Tearing Apart: Finding the Story in afternoon (Q1506) ‎ (← links)
• How We Read: Close, Hyper, Machine (Q1795) ‎ (← links)
• Digital Literature and the Modernist Problem (Q1798) ‎ (← links)
• Playing with time in digital fiction (Q1815) ‎ (← links)
• What Hypertext Is (Q1823) ‎ (← links)
• Complex Information Processing: A File Structure for the Complex, the Changing, and the Indeterminate (Q1841) ‎ (← links)
• A File Structure for the Complex, the Changing and the Indeterminate (Q1871) ‎ (← links)
• The Reader as Author as Figure as Text (Q2011) ‎ (← links)
• A Clash between Game and Narrative (Q2013) ‎ (← links)
• An ethnography of a networked community as emergent creativity (Q2019) ‎ (← links)
• Ethnographic Study of an Online Creative Community (Q2021) ‎ (← links)
• Authorship and agency in networked environments (Q2022) ‎ (← links)
• Transculturation, transliteracy and generative poetics (Q2024) ‎ (← links)
• Hypertext Fiction from 1987-1999 (Q2033) ‎ (← links)
• The heuristic value of electronic literature (Q2037) ‎ (← links)
• Digital Literature in France (conference presentation) (Q2040) ‎ (← links)
• From ALAMO to Transitoire Observable: evolution of the French digital literature (Q2041) ‎ (← links)
• The International Interactive Fiction Community (Q2042) ‎ (← links)
• The Poetry Beyond Text Project (Q2043) ‎ (← links)
• Case Studies in American Creative Communities (Q2044) ‎ (← links)
• Supercritical Creativity (Q2045) ‎ (← links)
• Catalonian Electronic Literature Communities (Q2046) ‎ (← links)
• The ELO and US Electronic Literature in the 2000s (Q2047) ‎ (← links)
• Scandinavian Electronic Literature and Communities (Q2048) ‎ (← links)
• Electronic Literature Publishing in Europe: Sample Cases from Finland (Q2049) ‎ (← links)
• Electronic Literature Publishing in Europe: Sample Cases from Italy (Q2050) ‎ (← links)
• Discussion of processes and issues for ELMCIP anthology (Q2051) ‎ (← links)
• Genre, Form, and Cultural Practice in Contemporary Electronic Literature (Q2052) ‎ (← links)
• Vers de nouvelles formes en poésie numérique programmée? (Q2053) ‎ (← links)
• Collaborative Art Experiments on Facebook (Q2056) ‎ (← links)
• What is "The Asian Tower"? (Q2057) ‎ (← links)
• Multimodal Metaphor and Intersubjective Experiences: The Importance of Eye-Contact in Davidson’s Graphic Novel The Spiral Cage and in Annie Abrahams Net-Project On Collaboration (Q2058) ‎ (← links)
• WIKIARTPEDIA (Q2059) ‎ (← links)
• Digital Arts and Literature – Is it Just a Game? (Q2060) ‎ (← links)
• Digital Literary Text as a Play and a Ride (Q2061) ‎ (← links)
• From Oral Poetry to Tridimensional Poetry (Q2062) ‎ (← links)
• Video Ergo Sum: Video as Symbolic Form (Q2063) ‎ (← links)
• New Media ArtPoetry: A Reflection on Practice (Q2064) ‎ (← links)
• Art, Activism and Web. Notes and Hypothesis for a Historical Overview (Q2065) ‎ (← links)
• A Short History of Electronic Poetry (Q2066) ‎ (← links)
• From Textual Random Synthesis to Hypermedia - The Genesis of a Multimedia Electronic Work: ALLETSATOR/ROTASTELLA (Q2067) ‎ (← links)
• eLiterature: Literature in the Digital Era. Definition, Concept and Status (Q2068) ‎ (← links)
• The Virtual and The Virtuous (Q2069) ‎ (← links)
• E-Art: Fragmentation and Assembling (Q2070) ‎ (← links)
• The Textual Whole and its Vicissitudes in Digital and Ergodic Literature (Q2071) ‎ (← links)
• About Some Programmed Forms in Digital Poetry (Q2072) ‎ (← links)
• Filiations and History of Digital Literature in France (Q2073) ‎ (← links)
• Variability and Intermediality as Challenges to Preservation Issues: Reflections about the Design and Implementation of Digital Archives (Q2074) ‎ (← links)
• E-Literature vs. E-poetry (Q2075) ‎ (← links)
• Aspects of Experiencing Poetry in Digital Media (Q2076) ‎ (← links)